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Pro Art No. 2 Blending Paper Stumps, 3pcs

Brand: PRO ART
The Pro Art No. 2 Blending Paper Stumps help soften lines, merge tones and create smooth shading without using your fingers. Made from tightly wound soft paper and pointed at both ends, they are ideal for blending graphite, charcoal, pastels and coloured pencils with greater control.
Availability: In stock
€3,50
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Smooth shading and natural tonal transitions do not always require more pencils; sometimes they simply need the right blending tool. The Pro Art No. 2 Blending Paper Stumps are made from tightly wound, soft grey paper and are designed to move and blend dry media in a controlled way.

Gently work the stump over graphite, charcoal or pastel using small circular movements or strokes that follow the direction of your shading. The pigment spreads more evenly, harsh marks become softer and separate tones merge without transferring natural oils from your fingers onto the paper.

The pointed ends provide control in smaller areas such as eyes, folds, hair and detailed shadows. Hold the stump at an angle to use more of its side when blending larger areas or creating broader, softer transitions.

As pigment builds up on the tip, clean and reshape it by gently rubbing it against fine sandpaper or a sanding block. Keeping separate stumps for dark, light and coloured media also helps prevent unwanted colour transfer between different areas of your drawing.

👉 Features:

  • Set of 3 blending stumps
  • 2 size
  • Made from soft, tightly wound grey paper
  • Pointed at both ends
  • Soften marks and merge different tones
  • Create smooth gradients and controlled shading
  • Suitable for graphite, charcoal, pastels and coloured pencils
  • Can be cleaned and reshaped with fine sandpaper
  • Made by Pro Art

👍 Ideal for: pencil drawing, portraits, sketching, tonal studies, charcoal, soft pastels, chalk pencils, coloured pencils and detailed illustration.

Inspiration Tip: For soft portrait shading, apply graphite first with light crosshatched strokes, then blend it using small circular movements. Keep one stump clean for lighter areas and use a second stump only for the deepest shadows.