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Stonehenge Paper Pad Smooth Vellum 9" x 12" - White, 15 Pages, 250gsm

Brands: STONEHENGE , Legion
The Stonehenge Smooth Vellum White pad features 100% cotton paper with a soft, lightly speckled vellum surface. Acid-free and calcium-carbonate buffered for archival stability, it’s a top choice for colored pencils, graphite, pastel, charcoal, ink and professional printmaking.
Availability: In stock
€42,50
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Developed over 30 years ago, Stonehenge White was originally designed to serve the demanding needs of professional printmaking — including lithography, intaglio, silkscreen and relief techniques. Its uniquely smooth vellum-like surface provides ideal tooth for both detailed drawing and rich pigment layering.

Stonehenge papers are renowned among artists who work with colored pencils, graphite, pastel and charcoal, offering:

  • exceptional durability
  • the ability to accept many layers of wax- or oil-based pencils
  • deep pigment penetration
  • smooth blending without surface buildup

It is also excellent for silkscreen, capable of receiving 50–70 individual color layers with no loss of vibrancy.

Over the decades, Stonehenge White has become one of the best surfaces for pastel, graphite, colored pencil, charcoal, ink, acrylics and watercolor washes.

👉 Features:

  • 15 sheets
  • 250gsm
  • 100% cotton
  • Paper color: White
  • Surface: Smooth “vellum”
  • Acid-free, calcium-carbonate buffered
  • Size: 22.86 × 30.48 cm (9" × 12")

👍 Ideal for:

  • Colored pencils (wax & oil)
  • Lithography
  • Intaglio
  • Linocut
  • Offset printing
  • Pen & ink
  • Pastel & charcoal
  • Relief printing
  • Silkscreen
  • Watercolor washes
  • Mixed media

Inspiration Tip:

Use Stonehenge White for crisp botanical studies, soft portrait rendering or ink-and-pencil mixed techniques. The surface holds fine detail and pigment depth beautifully.

🪨 Stonehenge Papers

Fine art papers designed around artistic practice

Stonehenge Paper, developed by Legion Paper, has long been considered a reference point in drawing and mixed media—not because of reputation, but because of consistent performance in real working conditions.

Made from 100% cotton and acid-free, Stonehenge papers are designed for control, durability, and long-term use. They hold pigment accurately, support layering and corrections, and deliver clean line work, tonal clarity, and color fidelity. These are not papers intended for quick consumption; they are surfaces meant for work that evolves without the material becoming a limitation.



🎯 Designed as part of the creative process

What distinguishes Stonehenge papers is not only the quality of the raw material, but the role they play within the creative process. Each surface is designed to behave in a consistent and predictable manner, allowing artists to repeat techniques, compare results, and evaluate the development of their work without unpredictable interference from the material itself. In this context, the paper ceases to be a variable and becomes a stable tool within the process.



✏️ Stonehenge Smooth Vellum & Colors – the core surface

The classic Stonehenge vellum surface forms the foundation of the range. It balances tooth and smoothness, making it suitable for graphite, colored pencils (wax and oil based), charcoal, pastels, pen & ink, and light washes.

White and Warm White versions provide a neutral working base, while Stonehenge Colors—including yellow, green, and other tones—function as active grounds. Rather than serving as simple colored sheets, they contribute tonal depth and contrast without compromising pigment behavior.



📝 Stonehenge Light – for studies and continuous practice

Stonehenge Light applies the same surface philosophy in a lighter weight. It is intended for sketching, studies, and daily practice, offering reliable line control and surface response without the commitment of a heavier paper.



💧 Stonehenge Aqua – for wet media applications

Stonehenge Aqua is a true 300gsm watercolor paper developed for wet techniques.
It is available in cold press and hot press finishes:

  • Cold press provides texture and movement for expressive washes
  • Hot press offers a smoother surface suitable for detail, ink, and controlled watercolor work

Black versions of Stonehenge Aqua are designed for high-contrast applications, supporting luminous pigments on dark surfaces.



🧠 Understanding the range

The Stonehenge family is structured to support different techniques rather than dictate a single use.

  • 👉 For control and layered dry media → Smooth Vellum / Colors
  • 👉 For sketching and studies → Light
  • 👉 For watercolor and wet techniques → Aqua

From there, size, tone, and format can be selected according to individual working methods.