Watercolors & Gouache

Sparkling black splatter medium for mixed media, scrapbooking, cards & journaling. Easy to use, quick-drying, and perfect for dramatic effects.

Color: Raven (Black)

Splatter Effects by Spellbinders is an instant favorite—your go-to for adding just the right touch of splatter to any project! Whether you want a subtle sparkle or a bold burst, this translucent, silvery formula delivers beautiful speckles that shine. Perfect for cardmaking, scrapbooking, and mixed media projects. Packaged in a convenient nail-polish-style bottle, it's easy to use—just shake well and flick, dab, or brush it on to create a variety of dazzling effects.

Color: Silver

The Holbein Artists’ Watercolors Luminous Set features 12 high-intensity fluorescent watercolor colors, designed for bold highlights, strong contrast and contemporary illustration. Transparent, European-style watercolors made in Japan, offering full control and striking visual impact.

Titanium White is the strongest and most opaque white in the range. With a creamy texture and excellent coverage, it lightens colors without dulling them and delivers powerful highlights when used straight from the tube.

Buff Titanium by Daniel Smith is a soft, warm off-white neutral with distinctive granulation and natural movement. Semi-transparent and non-staining, it adds atmosphere, texture and subtle depth to landscapes, florals and skies.

Spatter or drop a brushload of Buff Titanium into a moist wash and enjoy the pigment displacement, it is especially effective used that way to make clouds in the sky. Unique to DANIEL SMITH, Buff Titanium resembles the ecru shades of sand and antique lace and simulates the porous texture of an eggshell. It is a most welcome neutral, with its’ semi-transparent to opaque, non-staining properties. Pre-mix Buff Titanium with Quinacridone Rose or Perinone Orange for subtle hues and matte surfaces ideal for the velvety petals of your favorite flowers. Mix with Indigo or Van Dyke Brown to create slate-colored shadows and soft feathers. Glaze a dried landscape with a misty, atmospheric mood.

Buff Titanium is a warm, ecru-toned neutral with a soft, natural presence on paper. It offers excellent opacity and a smooth matte finish, blending beautifully on its own or in mixes—without yellowing when combined with Titanium White. Ideal for bases, highlights, skin tones, architectural details and vintage palettes, it performs equally well in illustration, mixed media and detailed painting.

These concentrated microfine watercolor powders let you create beautiful watercolor techniques like never before!

Hansa Yellow Light is a bright, lemon yellow with a subtle green hint and high color strength. Opaque and matte, it delivers clean, vibrant coverage and excellent control in mixes and highlights.

Bismuth Vanadate Yellow by Daniel Smith is a bright, slightly green-leaning lemon yellow with low tinting strength. Opaque in mass tone yet easy to control in washes, it excels in mixing, portraits and floral work.

Hansa Yellow Medium is a warm, clean yellow that balances brightness with depth. Opaque and matte, it offers excellent control in mixes and is often considered the most versatile yellow in a professional palette.

Hansa Yellow Light by Daniel Smith is a bright, clean lemon yellow with high color intensity. Its semi-transparent, non-granulating behavior delivers luminous washes, excellent mixing control and consistently clear results without dulling.

Cleaner, more transparent and brighter in chroma than Cadmium Yellow Light, this is a high-tinting, organic pigment. Hansa Yellow Light is considered the ‘perfect yellow’, offering more control when mixing. Painters admire the purity of this primary pigment and ability to adjust its temperature while avoiding a gray from a hidden complement. Think of a yellow pepper.

Hansa Yellow Deep is a warm, golden yellow with a subtle orange undertone and strong color presence. Opaque and matte, it delivers clean coverage and opens beautifully into soft golden hues when mixed with white.

Pyrrol Orange is a bold, clean orange with vibrant energy and a contemporary feel. Opaque and matte, it delivers strong coverage while remaining controlled in washes, opening into a soft fuchsia-pink when diluted.

Pyrrol Scarlet is a bright, tomato-red with excellent clarity and impact. Opaque and matte, it applies evenly and keeps color mixes clean, making it a powerful modern red for illustration and graphic work.

Cadmium Yellow Light Hue by Daniel Smith is a bright, lemon yellow with strong color presence and clean mixing. A modern, safe hue that delivers classic cadmium brilliance with excellent control.

Pyrrol Red is a bold, clean red with strong visual impact and excellent color clarity. Opaque and matte, it provides rich coverage and smooth, even application, making it a powerful primary red for modern palettes.

Cadmium Yellow Medium Hue by Daniel Smith is a warm, mid-tone yellow with a subtle red bias. Balanced, luminous and reliable, it adds warmth and energy to landscapes, florals and clean color mixes.

Cadmium Yellow Medium Hue, a mid- toned, slightly red yellow is perfect to add heat, energy and a focus in any painting. Mixed wet into wet with Cerulean Blue you will have a vast array of textured greens in various tones depending on the color balance and amounts of water, from dusky shadow greens to vibrant spring greens. It disperses beautifully in water for smooth, rich washes.

Quinacridone Magenta is a deep, cool red-violet with high intensity and excellent clarity. Opaque and matte, it delivers clean mixes and powerful color presence, opening into vivid violet-pink when mixed with white.

Aureolin Cobalt Yellow by Daniel Smith is a cool, transparent yellow with low tinting strength. Perfect for luminous washes, subtle highlights and warming darker colors without sacrificing transparency.

Wisteria is a soft lavender with a subtle red undertone, inspired by wisteria blossoms. Opaque and matte, it blends smoothly and lifts easily, making it perfect for delicate florals and pastel palettes.

Cadmium Yellow Deep Hue by Daniel Smith is a rich, warm yellow with a golden character and strong color presence. A modern, safe hue that delivers classic cadmium depth with clean mixing and excellent lightfastness.

Hansa Yellow Medium by Daniel Smith is a clean, balanced primary yellow with high color intensity and excellent mixing control. Its semi-transparent, non-granulating behavior delivers luminous washes and consistently clear results without dulling.

Hansa Yellow Medium is a high-tinting, organic pigment. Considered the ‘perfect yellow’, Hansa Yellow Medium offers more control when mixing. Painters admire the purity of this primary pigment and adjust its temperature while avoiding a gray from a hidden complement. Think of a yellow pepper.

Cobalt Blue is a clean, balanced blue with a calm character and excellent handling. Opaque and matte, it blends smoothly, softens edges beautifully and works equally well on its own or in mixes.

Daniel Smith Mayan Yellow is a saturated, transparent yellow inspired by ancient Mayan pigments. Smooth, clean and consistent, it stays vibrant even in dilution and brings natural warmth and clarity to your palette. Ideal for foliage, highlights and expressive watercolor work with lasting brilliance.

Ultramarine Blue is a cool, clean blue with a calm yet powerful presence. Opaque and matte, it offers excellent control, making it a reliable blue for balanced compositions and timeless palettes.

Lemon Yellow by Daniel Smith is a bright, clean primary yellow with excellent transparency and pure mixing behavior. Light yet vibrant, it offers full control and is essential for fresh greens, luminous washes and high-key compositions.

Cascade Green is a deep, natural green inspired by forest landscapes. Opaque and matte, it delivers rich coverage and organic texture, ranging from cool, mossy dark tones to softer, atmospheric greens when diluted.

Indian Yellow by Daniel Smith is a warm, luminous yellow with medium to high intensity, shifting between golden and rusty orange tones. Transparent and vibrant, it’s ideal for ripe fruit, autumn foliage and natural sunlit highlights.

Permanent Green Light is a clean, bright green with fresh intensity and excellent clarity. Opaque and matte, it delivers vibrant green passages ideal for botanicals, florals and modern palettes.

Naples Yellow will make you think of late Summer with it’s sunflowers, wheat fields and sunny, dry landscapes. This dusty yellow with a touch of Venetian Red is made a neutral semi-opaque with the addition of zinc oxide. More ideas for Naples Yellow would be dry yellow grasses easily brushstroked over painted fences and barns, the zinc oxide opacity aiding the Naples Yellow to show over darker colors.

Spring Green is a clean, bright green with fresh energy and strong visual clarity. Opaque and matte, it applies evenly and delivers vibrant green passages ideal for botanicals and spring-inspired palettes.

Hansa Yellow Deep by Daniel Smith is a warm, clean yellow with subtle orange undertones and strong color intensity. Its semi-transparent, non-granulating behavior delivers luminous washes, excellent mixing control and consistently bright results, making it an essential pigment for light-filled passages, foliage and vibrant watercolor work.

Kissed with a touch of orange, this is a pure chroma color with high-tinting, organic pigments. Hansa Yellow Deep is considered the ‘perfect yellow’, a fact which offers more control when mixing. Painters can admire the purity of this primary pigment and adjust its temperature while avoiding a gray from a hidden complement. Think of a yellow pepper.

Yellow Ochre is a warm, earthy yellow with excellent stability and a natural, understated presence. Opaque and matte, it blends effortlessly and serves as a foundational color in landscape and illustration palettes.

Unlike other brands, DANIEL SMITH New Gamboge is an excellent lightfast formulation. It’s a transparent organic pigment from the yellow to orange zone of your color wheel. More staining than Yellow Ochre and equal in tinting ability to Raw Sienna. It’s a good substitute for those colors when transparency and non-granulation is desired while avoiding thick, muddy passages.

Raw Sienna is a natural earth yellow-brown with a calm character and excellent stability. Opaque and matte, it offers controlled mixing and soft passages, making it an essential color for landscapes and organic surfaces.

Burnt Sienna is a rich, earthy red-brown with a natural depth and reliable behavior on paper. Opaque and matte, it offers excellent control for shadows, depth and organic transitions, making it a timeless palette essential for both crafters and professional artists.

Indian Red is a deep, earthy red-brown with a matte, granular feel and strong opacity. Dense and reliable, it provides solid coverage even in a single pass, making it ideal for architectural subjects and textured surfaces.

Aussie Red Gold by Daniel Smith is a luminous reddish-gold watercolor inspired by sunlit Australian rock formations. Transparent, low-tinting and beautifully glowing, it adds warmth and light to landscapes, florals and washes.

Burnt Umber is a deep, earthy dark brown with subtle red undertones. Opaque and matte, it offers excellent control for shadows, depth and structure, making it a dependable palette staple for illustration, mixed media and detailed painting.

This unforgettable semi-transparent/semi-opaque orange is a smooth, saturated and pure addition to the watercolorist’s palette. Capture the glory of a summer garden or the magic of a tropical sunset with this dynamic and versatile hue.

Lamp Black is a cool, intensely deep black with a velvety matte finish. Highly opaque and powerful, it delivers strong coverage and dramatic contrast, even in a single stroke.

The Daniel Smith Gouache Primary Mixing Set is the perfect artist-grade introduction to gouache painting. Featuring three high-purity primary colors plus Titanium White, it allows you to mix a full range of colors with excellent opacity, control, and a smooth matte finish.

Perinone Orange, with its vast range from vivid intensity to pale, transparent, fleshy washes, is a clear, clean vat pigment. From carrots to soft gladiola and azalea petals, this pure chroma orange is a treat for the eye and a dream to handle. Use in place of Cadmiums when mixing and revel in its glowing transparency. Play with salt texture and lift and squeegee techniques.

This clear, dark, red-leaning orange thins into perfectly smooth washes. The color is vivid and warm, lovely used on its own, and great in mixes. Try it with granulating greens or blues to create exquisite earth colors and shadow-grays that are both textural and warm.

This low-staining deep orange is sometimes called Scarlet Lake or Rose Carthame. Oranges can be very difficult to work with, but this one excels in handling and is a good option over Cadmium Orange.

Daniel Smith Mayan Orange is an explosive red-orange with deep historical roots and exceptional permanence. Bold, clean and even in application, it holds its strength beautifully even in heavy dilutions, bringing warmth and energy to every painting. This is the color you reach for when you want presence and character — whether you’re working on fine details or broad passages — without sacrificing clarity or longevity.

A treat for the eyes of both painter and viewer, this intense Quinacridone color is a clear red tinged with pink and orange. Highly durable and extremely transparent, all the DANIEL SMITH Quinacridone colors excel in vivid clarity and intensity.

Pyrrol Scarlet is permanent, semi-transparent to semi-opaque and medium staining, this fire engine red is cleaner than Cadmium or Permanent Red. It is a modern synthetic-organic pigment. While close in value to its Perylene cousin, it disperses more evenly and is less granular.

Permanent, semi-transparent to semi-opaque and medium staining, this fire engine red is cleaner than Cadmium or Permanent Red. It is a modern synthetic-organic pigment. While close in value to its Perylene cousin, it disperses more evenly and is less granular.

Cadmium Red Medium Hue by Daniel Smith is a balanced, high-intensity red offering excellent control and clean mixing. A modern, safe hue that delivers the richness of classic cadmium reds with outstanding lightfastness.

This fire engine red is cleaner than Cadmium or Permanent Red. It is a modern synthetic-organic pigment. While close in value to its cousins the Perylenes, it disperses more evenly and is less granular.

Perylene Red is medium staining and semi-tranparent. It creates vivid, dark washes with a clean brilliant red-orange. This sedimentary pigment offers an additional health plus, as it is made from a metal-free red. Clean modern pigments such as this will put accidental mud-making in the past.

A true, pure medium-staining red. Drop Naples Yellow into Quinacridone Red and create a peach, or paint dry brushstrokes onto apples. Highly durable and extremely transparent, all the DANIEL SMITH Quinacridone colors excel in vivid clarity and intensity.When the last batch of single pigment Quinacridone Gold was produced (the manufacturer of PO 49 had stopped making this pigment and allowed us to purchase all their remaining available stock, which lasted 17 years), we developed this new blend of PO 48 and PY 150 pigments. As you can see by the blending comparison below, it’s a gorgeous match!

Permanent Alizarin Crimson, developed with our customers, blends pigments to produce an exceptionally lightfast red with true Alizarin Crimson character and versatility. Like classic Alizarin, it is vibrant, medium staining and very transparent, with the undeniable advantage of permanence. Try a rich and bold application or a blush of crimson color in a light wash, we know you’ll love this beautiful shade.

Alizarin Crimson by Daniel Smith is a deep, transparent crimson with a rich, historic character. Highly versatile and expressive, it excels in shadows, warm neutrals and complex color mixing, making it a long-standing staple in watercolor palettes.